K-COW said, Uh uh! Hobart also announced the increase in power. At night (with 25,000 watts) you could hardly pick up the station 5 miles to the south of the site, but the signal had an effective radiated power of 300,000 watts to the north and went right over the North Pole into the Soviet Union. The owner of easy listening FM station WAYL was interested in the AM operation, to simulcast WAYLs signal and expand coverage in parts of the metro area. In summary, it was a conservative, white bread market with only a handful of stations in those days., Although many give Storz the credit for inventing the Top 40 format, Haines asserts that it was already in place. On November 30, 1969, fire spread through the KDWB studio, destroying two transmitters and shutting it down for two days. When the oldies format of WYOO started to slide in the ratings, more MOR music was added, but ratings slid even further. From the Yesterhits of Yesterday compilation issued in 1967: In June of 1966, WDGY began programming Much More Music for its listeners in the Twin City Area. 36 years later, Im still in the radio game with more than my fair share of terrific experiences. Image courtesy Alan Freed. Jay Philpott was the only holdover from the old format they had me doing 7 to Midnight until I left for WLOL in July 1980., Country music (SMN County Coast To Coast) (1982-1984), Contemporary Hit Radio (SMN Rock America) Hot Rock 950 KRSI (1984-1985), The last KRSI logo, 1985, courtesy Jeff Lonto, Simulcast with KRSI-FM as KJJO (1986-1988). WDGY/Minneapolis has modified its Top 40 format to an AOR-slanted approach. WDGY Jimmy open his 1st show at WDGY he stated he was "..out on pass from the suburban rest-home." Then, on Tuesday, November 12, 1963, we see a completely new kind of schedule a Happiness Schedule! Trongard, not Trangard. The station was owned by the Peoples Broadcasting Company, founded by former WCCO announcer Bill Stewart and his wife Becky Ann. When constructed, a Bloomington transmitter location made sense as there was little development to the south at the time. The Original Rock and Roll Station. KTLK (1130 kHz) - branded News/Talk AM 1130 - is a commercial AM radio station licensed to Minneapolis, Minnesota. It was the same night Count Basie was at the Prom, and a conflict was feared, but Will Jones reported that Mr. Diddley drew 1,500 sweating youngsters, and the Count drew 1,350 oldsters. (Minneapolis Tribune, August 21, 1964), Minneapolis Star, Saturday, August 15, 1964. WDGY 1130 Tapes This Site Primarily Contains a Collection of Airchecks of Numerous Twin Cities (Minneapolis/St. Although authorized for only 500 watts from midnight to 4am, it had been broadcasting at full 5,000 watt strength since Crowell-Collier Broadcasting bought the station in late 1959. Or when Bill Bennett 2-6 cuts in on Nancy Wilsons HOW GLAD I AM to tell her about THE BOY FROM IMPANEMA. WDGY "The Original Rock and Roll Station" Other Facebook stories of the strength of the transmission: In 1952 the station was sold to a group of four local businessmen, one of which was Clarence T. Hagman. In March 1970, two engineers struck for higher pay and the disk jockeys honored the picket line. We thought Formula 63 with the Colonel was really a good way to introduce our station. Reinhard Steinley became the first General Manager of WCOW on July 1, 1951. In August 1927, WDGYs transmitter was moved to Superior Blvd. In April 1957 the studio was in the Builders Exchange Building in downtown Minneapolis, and the transmitter was described as WDGY Transmitter Plant, Oxboro, Minn. This is a shot of the transmitter site of WDGY/1130AM radio, along 35W at about 102nd Street. Middle row: Steve Hatley, Cosmic Cowboy a/k/a Terry Roberts, Chuck Knapp & Charlie Bush. Sherwood and the rest were at their antic best, cooking up contests and announcing test answers to kids. Photo courtesy Minnesota Historical Society. Locally owned and programmed. For a short-lived, rather obscure radio station, a lot of activity was logged. In 1948 the Sepia Serenade show featured black recording stars, Mondays and Wednesdays from 6:15 to 6:45 pm. For his own protection, his real identity was kept secret. Now. That November Ty Mack put in some hours, and it was now Autumn Serenade. Kash Box was apparently an advertising gimmick. Tom did the best impression of Muhammad Ali I have ever heard. JoJo Gunne was the last jock. KDWB morning personality True Don Bleu launched the new KDWB-FM simulcast the following morning at 6 AM, replacing WYOO-FM. Radiotapes.com has airchecks from 1957 of Steve Cannon and Leigh Kamman doing what was billed as the Twin Cities first and only Double Disk Jockey Show. Kamman also hosted the Swing Club Program. June 18, WWTC radio replaces every bit of music with news. Original staff consisted of Rob Sherwood, Jeff MotherRobins, Benny Blore (Bill Hartman) Jerry Brook, U.S. Jeff Lonto explains: To plan a schedule of programming consisting of things women supposedly would like, the station hired male psychologist Dr. Jacob Berg, whom management said would provide psychoanalyzed programming. In addition, the new format included horoscopes, James Aldens advice to the anguished and lovelorn, two-minute newscasts and editorials slanted toward the womans point of view, and 60-second lectures on sex, marriage and family problems. In addition to the ones listed below, Preacher Paul expressed an interest in booking act such as Chuck Jackson, Jimmy Reed, Junior Walker, Marv Johnson (he lost $20 on that show, he told Secret Stash), Al Green, Wilson Pickett (emceed by Lord Jeffrey), Fats Domino, the Supremes, Joe Hinton, and his pride and joy the Righteous Brothers. The new schedule kept the morning religious shows, which did have sponsors and paid the bills. The engineers labored through the night and the following night and on Tuesday, we signed back on. Staff included Gary (The Deacon) Johnson, a blind disc jockey. Freed: KDAN, being a daytimer, was a perfect station to shoot at because it was off the air from sunset to sunrise, so a film shoot wouldnt interfere with normal operations if the filming was overnight. Alonzo himself was to do the afternoon drive. Bo Diddley by (are you ready?) This is a shot of the transmitter site of WDGY/1130AM radio, along 35W at about 102nd Street. Covering black music was standard operating procedure in those days Pat Boone made a fortune covering Fats Domino records. The WMIN call sign was used from 1936 until 1972 by the predecessor to today's 1400 KMNV, and the call sign was also briefly used for a shared-time television station on channel 11. Curtis J. Johnson sits down with Twin Cities Radio Airchecks website creator, Rick Burnett to discuss his career in radio, starting from high-school with concentration on his work at WDGY in the late 1960's as a 20/20 newsman. We dug up the Colonel, I called and told him what we had in mind. Without their help, the site would have many less pages of radio history. People heard us in places we had never been heard before. Unfortunately, by September 1976, the programs two advertising contracts had expired, and Adams was unable to find new sponsors. When constructed, a Bloomington transmitter location made sense as there was little development to the south at the time. The fact of the matter is that 40 records plus a few extras (or extra commercials) conveniently fit into the three 55 minute periods that made up each afternoons Top 40 Show. He also says that the concept of only playing 40 records was blasphemy in the business. All rights reserved. such tangy extras are part of ear-tickling, toe -tapping UP radio. While newspaper listings are not 100 percent reliable, the Tribunes listings of Monday, November 11, 1963, reflect the old format, with Jim Eckert from 6 to 11 am, Mort Garren from 11 to 3, and Jack Hyatt at 3. But the Country format was gaining acceptance among older baby-boomers and melding that growth with WDGYs big 50,000-watt signal gave new purpose to the station and validation to a growing, willing audience that perhaps Country musics time was coming. Efforts to find out who was playing that night were fruitless. (1960's). WLOL-FM (99.5) (Means Fine Music) was up and running in 1956. But the advent of WDGY was the quantifiable arrival of the genre that influenced lifestyles, attitudes, fashion, language, and of course, radio formats for generations to come. All we have are newspaper listings, but on Tuesday, July 7, 1964, there is a full day of Ed Skotchs programming for women, from 6 am until 4 pm when jazz takes over. On October 30, 2021, WDGY once again discontinued broadcasting in HD Radio. 26w; View 1 more comment. For that matter, we were discouraged from using the term teenager too. Matchbook images courtesy Pavek Museum of Broadcasting, In July 1948, Chuck Mulkern had a fifteen-minute show called Hillbilly Hits.. WPBC: No, thats not a mistake. WDGY (740 AM, " The True Oldies Channel ") is a daytime-only oldies radio station serving the Minneapolis-St. Paul area of Minnesota. Its IN but NOT far out!!!! The station in the early years played a variety of middle of the road pop music and standards, and was even considered an innovator in the concept of singing jingles. A December 1, 1955, ad says Now All Day and announces DJs Texas Bill Strength and Johnny T from Tennessee, and Slim Jim. WYOO was owned by Fairchild Industries, an Aeronautics company from Maryland that was looking to diversify. View more recently sold homes. The station began broadcasting on July 1, 1965, as WMKT. When even a little pimple of a disaster like this strikes, people rise to the occasion. Not sure what this is announcing. Subscribe Now To Listen Your Favorite Songs On Demand! Once outside the missiles became rocks. Countryside magazine, March 1976. Alan Freed posted the photo below of WWTCs control center taken in 1981. I thought if we could get somewhat organized on a daily continuous basis that it would be a step in the right direction. Front row John Hines and Larry Carolla. When did they first hear this new music that some loved, some hated, some called just a fad, but few could ignore? The station derives a portion of its programming from Scott Shannon 's The True Oldies Channel from ABC Radio. Some not so happily as others, he admits. For those who prefer to look on the gloomy side of things, there are always the daytime soap operas on television. Whether this was related to the disturbance was not quite clear. The station was located at 8th and Wabasha in South St. Paul, conveniently adjacent to the stockyards. He actually bought the time from KUXL himself and sold commercials to pay for it. As part of the anniversary celebration, listeners were urged to send the station a birthday card with a favorite song from the last year, and if it was drawn the listener could win the Yesterhits Souvenir Album and a chance of winning one of six Hondas. Im going to jump back a little into the chronology of events at the station after listing all of the concerts I could find. Preacher Paul was there three nights a week as a host, and on Saturday afternoons he broadcast from the place. The report of the St. Paul Urban Coalition, headed by Arthur S. Fleming, President of Macalester College, was released in March 1969 and echoed the first but was much more detailed and damning. The show was called Rhythm n Blues Time. Theres a ton of stories circulating about Top 40 began inspired by an Omaha tavern juke box, developed by a college statistical department, guided by BBDOs Hit Parade formula for Lucky Strike you name it. Merle introduced me when I called in, and gave me five seconds of dead air to start my home recorder at 78 rpm.. He becomes Uncle Snuffy, Radio Daddy-O, The Cat Man. He said that his stations was making a profit from its enlightened programming and others that followed are probably doing the same. A gunshot was heard and a policeman was hit in the arm or hand. And as soon as he got that he would file for full-time operation and still more power. This provides a historical look at the times. Meanwhile, Preacher Paul was bugged at being in a hot studio from 2 to 6, so starting in mid-June he was going out in a mobile trailer to broadcast from various outdoor locations around the Twin Cities. 1130 AM: News/Talk: Clear Channel: KLBB: 1220 AM: American standards: Endurance Broadcasting, LLC . The stations R&B programming had averaged about two hours daily during recent months when the stations sign-off time local sunset had been late afternoon. Johnny Canton in the WDGY control room. The team could not play high school and college teams, but would go out to small towns for exhibition games. The call letters were also WLOL. Tom Wynn at his current job at KFGO in Fargo ND. Interestingly enough, in my KUXL file I found an article from the Minneapolis Spokesman, the black communitys weekly newspaper, dated December 26, 1958. The jocks shouted, snarled and chanted the KSTP slogan that was spilling from billboards and buses all over town, according to a 1977 Strib article. One more testament to the sheer effective radiated power in WDGYs nighttime lobe. John Fineberg was at both stations during those years and described a KQRSI (KQRS and KRSI) family. We plan to have him on two hours Saturday and two hours Sunday. An ad from October 1976 describes the playlist as Folk, Jazz, Blues, Totally Album-Oriented The Fine Rock Station. DJs could play anything they liked and anything that pleased the stations audience. Wikipedia says the stations last documented owner was KMAP Broadcasting of Tampa. If he had opened that door, the back draft would have engulfed the engineer in flame. Top Row: Arnie Peterson (sports), Gene Taylor, Sam Sabean, Jack Douglas. Hennepin Ave. at the Lyndale bottleneck looking north. They promise infrequent and low-tone commercial announcements.. A 15-year-old polio victim was smashed, face-first, into the pavement and sent home bleeding. Note the article actually prints his home address. The format changed from full-time Country & Western to a combination of Lombardo/Welk/etc. In April 1957 the station was owned by the Franklin Broadcasting Co., William F. Johns, Jr., Vice President and General Manager. The call letters of WTCN radio were changed to WWTC on October 2, 1964, after Time Life sold the station to Buckley-Jaeger Broadcasting. Preacher Paul (nee Ralph Hull) had come from KDWB and it appears that he was working at both stations until June 1965. John Fine was also part of this tight social group. During the next two years, U100 quickly became the most talked-about and Number one rated radio station in town. Rhythm [in 1955] and played the real soul of rhythm and blues. The Insider reported that it was moving toward soft progressive in September 1971, when Dick Driscoll came back to the station after Dick had turned KQRS from classical to progressive. could get them on my Lloyds Transistor Six when the batteries were dead., I dated a girl who lived on Fremont Ave. between 101st & 102nd streets. The news is left in and you will hear about the big CPI index increase. And its guaranteed to relieve ennui! The station then bought the syndicated program Music of Your Life from Al Ham. It made its final move to 1130 AM in 1941 as required by the North American Radio Broadcasting Agreement (NARBA) under which most American, Canadian and Mexican AM radio stations changed frequencies. One more testament to the sheer effective radiated power in WDGYs nighttime lobe. The Gavins sold their mimeographed service to one station per market and it was kind of a co-op into which we all poured our tips. Meanwhile, they borrowed a little trailer studio from someone and that was our production room for the next month or so. Last mention in news listings was on September 13, 1983. Roof rebuilt. Once again, the small black population in Minneapolis was cited as a reason not to sponsor the program, although white people were clearly listening as well. In May 2006 the recordings started to beconverted to MP3 andsharedhere. And if I were Nancy Wilson, Id be a little ticked to have my song interrupted. The station had a conglomeration of programs, ranging from waltzes, classical, show tunes, Tin Pan Alley, Hawaiian, religious, cowboy, and novelty. Heres the story from Jim Stokes: KRSI originated Red Owl Stores storecast from their transmitter on what is called subcarrier. You can look it up. On August 28, 1981, the station was purchased by Soho Broadcasting, Stanley Soho, President. Image courtesy Jeff Lonto. Coast to Coast AM Weekend Edition. Heres a story from Rod, taken from Bullerdash, the newsletter for KSTP Pioneers: I ran the mid-day shift from 10 AM to 2 PM. 589 talking about this. Hagman had previously worked for WLOL, whose owner, Ralph Atlass, had adopted the Top Forty format during Hagmans time there from 1947 to 1952. Donald plays godfather with his "Don" imitation and asks Charlie "What is black and blue and floats?" It had hope to start broadcasting a week ago but was held up by equipment delays. Rock continued to do well in Minneapolis in the eighties. Radio Stations in Minneapolis-Saint Paul, MN Radio stations sorted by popularity Twin Cities News Talk KTLK 1130 AM News/Talk KFAN 100.3 FM KFXN-FM 100.3 FM Sports K-LOVE Radio Contemporary Christian K102 KEEY-FM 102.1 FM Country Music 94.9 El Rey WREY 630 FM Regional Mexican CBS Sports Radio Sports AM 1280 The Patriot WWTC 1280 AM News/Talk More fire trucks. Also my parents listened to WDGY in the mid to late 50's and on the long drive to the lake as well. Some notes about this copy. Metropolitan Radio moved to a new site, and built a new and modern transmission facility (4-tower complex west of Highway 100 in St. Louis Park) a broadcast service that brings it within clear signal range of thousands who could nevr before enjoy wtcn 1280 as easily as they wished. WDGY was the Twin Cities' first full-time Top 40 station, going on the air with its new format on February 6, 1956. A few days later, WPBC-FM became WRAH and programmed an automated album oriented rock format. On his first day found in the newspaper, he was on in front of the Polish Hour and the Methodist Church, both 90 minute shifts in the morning. FM. It has been my opinion that a big lightning storm in July 1989 was an excuse for the station to shut down operation. Channel 63 was back! That UP radio uplift all the way. On October 16, 1964, Will Jones announced that: Jazzman Rio Pardo has undertaken a new KUXL show, heard at 10:30 am each Saturday and Sunday, called Flying Along With Rio. He stresses soul-jazz and airs a bulletin-board feature for the Negro community. [This was what Ed Skotch wanted to be The Nations Most Attention-Programmed Station, remember?] In the 60 I later converted to KDWB, but still listened to WDGY. 1945. Most Top 40 and Rock listening had migrated to the FM band (which had necessitated the Mighty 1130s switch in the first place.) The Record Rodeo show featured western, folk, and other typical American music on Saturday afternoon. Skotch was the highest-paid director-producer in Chicago, with as many as six shows he created, network and local, being aired in town every week. So., Minneapolis, 5, MN. In August 1957 the station claimed to be first with Twin Cities Housewives based on a telephone poll of 388 people. 3D WALKTHROUGH. OUR SURVEYS FOR WDGY; WEEK #1 THIS WEEK; 1956-07-21: The Platters / My Prayer: 1956-07-28: The Platters / My Prayer: 1956-11-09: Guy Mitchell . After the war, Kamman produced We Call it Jazz concerts at the Calhoun Beach Hotel and hosted The Swing Club on WLOL. CLICK ON IMAGE TO ENLARGE, WDGY Guide, Atkinson, 1982. This site does not charge any fees to listen to the posted recordings. In 1967, winning a Honda might have meant just a motorbike. He made a ton of money, eventually owning part of the Cleveland Nets World Tennis Team, Cleveland Indians, and Cleveland Cavaliers basketball team. The early shows were pretty clearly just country/western affairs: Most importantly, in March/April 1955 there appeared Mr. The music played was from Kammans own encyclopedic library of records, domestic and foreign. Since one company could not own more than one AM or more than one FM station in the same market at the time, they needed to find a buyer for the FM station, and sought out the owners of various AM stations in the area. See www.radiotapes.com/WDGY.html for airchecks and much more, including the very entertaining history of the station written by Haines. He did his own programming, and said he loved his job. In the main studio, there was a sticky sap-like residue on everything. All promos, commercials and music have been left in. It is licensed to Hudson, Wisconsin, three miles east of its studios in Lakeland, Minnesota. The 9-tower array beaming 50,000 watts was used to produce one of the most restrictive signals in the USA. Perry Como actually sort of rocked with a great tune called Tina . Its billed as the Ike and Tina Turner Revue, complete with nine-piece band, singers Bobby John and Jimmy Thomas and a girl trio called the Ikettes. One day the station was just there, offering gimmicky, women-slanted programs, not attracting much attention. Oops! Jim Ramsburg says that in 1956 we pulled our own music from the big record library with no rules or restrictions. Seven ways to listen:FM 92.1, FM 103.7, AM 740, FM 107.1 HD2, Live Stream at WDGYradio.com, Smart Speakers through TuneIn and the WDGY Phone App. The brochure inside the box was a ticket to a huge rock n roll show that would kick off the station. I hope to get some late 60's clips up on the site soon. Over the next few days, the cleaning and repairing continued. cheap boarding schools in california, robert turner obituary, 9-Tower array beaming 50,000 watts was used to produce one of the station was just there, offering gimmicky women-slanted. Extras are part of ear-tickling, toe -tapping up radio photo below of WWTCs center... Get somewhat organized on a daily continuous basis that it would be a step in the USA plays. 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